Archives for immersive perspectives

Machine Seeing

Machine Seeing StoryLab are exploring and addressing a series of questions and challenges on existing and emerging creative technologies. Innovations in media technologies have opened up new ways of witnessing the world. These emerging modes of “machine seeing” raise novel questions about user experience, renaissance and role of synergistic creative tools such as sound, changing...

The Crossing

Human Trafficking
The Crossing The Crossing is a multi-screen and 2D screen interactive exhibition, which provided new interpretations and understanding of the black-market economy of sex trafficking through the journey of a trafficked woman. The emotionally charged project investigates the exploitation of hope and the black market economy of human trafficking through the story of a young...

Vulnerable Selves

Vulnerability
Vulnerable Selves Dual Perspectives, Immersive Media and the Narrative of Vulnerability In this project, StoryLab critically explore the lived experience and interpretation of vulnerability and investigate the possibilities and limitations of using immersive media through an observational case study of emerging filmmakers. Situated within ‘me too’ and representation in the media, the project explores how...

Notes on Blindness

Notes On Blindness
Notes on Blindness Screening and Presentation Anglia Ruskin University, Cambridge, 23rd April 2018 LENS and StoryLab Research Institute hosted a screening of Notes on Blindness followed by a director Q&A, plus virtual reality experience. The film directed by Pete Middleton and James Spinney is a moving account of personal perseverance: After losing sight, John Hull...